Artwork Packaging Expectations
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High quality packaging of artwork is integral to a positive experience of buying art and beautiful artwork deserves to be beautifully packaged! We want to ensure that the collectors who purchase work by the outstanding emerging artists we showcase are receiving great service, at every step of the process.
The value of artwork is preserved by careful packaging, which crucially prevents any damage of pieces in transit. Pristine sheets of unused cardboard, carefully addressed packages and nicely printed certificates are examples of ways in which our artists maintain the services that customers receive through the website. As we are selling valuable items our buyers can expect to look forward to receiving something that reflects this.
Here are some tips from our artists, for our artists, with images of artworks they have sent to give you an idea of general expectations around the packaging of artwork.
2. I use an archival print bag to make sure the image is protected from water etc. Again Lion has suitable products.
3. I use a Handywrap to attach the picture to a protective cover. This is a very handy thing for all sorts of packaging! Again I get this from Lion.

4. I use corrugated cardboard and now purchase that new. It is not as expensive as you might think, but obviously depends on the number of works you sell. The supplier I use is Kite Packaging and use single wall sheets for internal support and double wall for the external, although Kite sell all sorts of packaging options.
Crated by Adam Boyd
Packaging by Myka Baum:
3. Use you know how as an artist, aesthetically and functionally.
4. Use an extra cover for the front of the painting.
5. Bubble plastic. The plain side towards the painting (the bubbles might make marks in the painting).
Make sure your presentation is nice and clean.
6. Remember the certificate. I always make a small personal note for the customer about this specific piece.
Packaging tips from Stephen Todd
Packaging paper based artworks - "I soon realised that getting the packaging right and having a clear sequence to the process, not only made sure there was a good impression, but also that it made the whole thing quicker and more secure for the work. Part of this is getting the right materials (as ever!)." 1. I mount the picture on basic mounting board using archival mounting corners. The supplier I use for corners is Lion - they have a couple of sizes.
2. I use an archival print bag to make sure the image is protected from water etc. Again Lion has suitable products.
3. I use a Handywrap to attach the picture to a protective cover. This is a very handy thing for all sorts of packaging! Again I get this from Lion.

4. I use corrugated cardboard and now purchase that new. It is not as expensive as you might think, but obviously depends on the number of works you sell. The supplier I use is Kite Packaging and use single wall sheets for internal support and double wall for the external, although Kite sell all sorts of packaging options.
Packaging tips from Johnny Morant
Johnny Morant builds sturdy wooden crates to ensure that his paintings are not damaged in transit.
Crated by Adam Boyd
Packaging by Myka Baum:
Packaging tips from Birgitte Lykke Madsen:
1. Select some nice, clean material for packaging.

3. Use you know how as an artist, aesthetically and functionally.
4. Use an extra cover for the front of the painting.
5. Bubble plastic. The plain side towards the painting (the bubbles might make marks in the painting).
Make sure your presentation is nice and clean.
6. Remember the certificate. I always make a small personal note for the customer about this specific piece.
