Art investment & the patronage of emerging artists

Discussing art investment is a sensitive topic - though there is an appetite for information about investing in art and under the right circumstances artwork can be bought and sold for a significant profit.

We have a solid track record at New Blood Art for identifying artists who go on to do well. Some of these artists are now in our Masters section - such as Iain Andrews whose work increased in price over 1000% in 3 years.

When analysing art price data - again and again we see a correlation between an artist holding a series of shows, followed by a significant spike in their average sale prices. It’s a simple formula, exhibitions and solo shows increase exposure, which in turn increases demand, which in turn increases the price.

Bartosz Beda’s price trajectory has been strong and will only increase I think. At the moment he is holding a solo showing in Colombia – his third solo show this year.

Being shortlisted for prizes is also a good indicator of future success, so too is endorsement by art experts. Art tutors who were invited to nominate outstanding art graduates for 2 Scottish art prizes, selected Lisa Scrimgeour on both occasions and it’s easy to see why. Lisa and I met yesterday and we discussed her plans for the coming year – the prizes and residencies she will apply for and plans for solo and group shows. At the moment Lisa is making work towards having a solo show (see studio shots) though we do have some work available for sale. For most artists the first year or so after graduation is the hardest time. They take the plunge – working full time on their art – they must do this in order to make a body of work for a show and to get their career underway. mostly they are entirely dependent on the income they receive from their sales during this period. It’s a great opportunity for investors – to buy at the lowest prices whilst providing incredibly valuable support to an artist starting out.