News
Andrew Szczech
Pigments – eroding, sedimenting, tectonic – trace the artist’s paintings, in meandering, looping mosaics, or swathes like layers of water. Here the experience of looking is both sensuous and deconstructed:...
Andrew Szczech
Pigments – eroding, sedimenting, tectonic – trace the artist’s paintings, in meandering, looping mosaics, or swathes like layers of water. Here the experience of looking is both sensuous and deconstructed:...
Different Again: New Abstract Expressionist Work
Paint can always be, is always applied anew. The original movement of Abstract Expressionism sought unprecedented ways of creating the substance of feeling.
Different Again: New Abstract Expressionist Work
Paint can always be, is always applied anew. The original movement of Abstract Expressionism sought unprecedented ways of creating the substance of feeling.
Continuity and Change: Curating Skies
Skies are so eminently paintable: always offering new forms, endlessly surprising, abstract and tactile in equal measure.
Continuity and Change: Curating Skies
Skies are so eminently paintable: always offering new forms, endlessly surprising, abstract and tactile in equal measure.
Light in Flux
“Light plays an integral role within my work and there is an ambiguity between the precision of photographic apparatus and the structured randomness of the organic.”
Light in Flux
“Light plays an integral role within my work and there is an ambiguity between the precision of photographic apparatus and the structured randomness of the organic.”
Botanic and Landscape into Abstraction
They bring to mind the soft fluidity of Georgia O’Keeffe’s organic abstractions. There’s a sense of being compelled, mesmerised: the fascination that brings you in closer to look at nature...
Botanic and Landscape into Abstraction
They bring to mind the soft fluidity of Georgia O’Keeffe’s organic abstractions. There’s a sense of being compelled, mesmerised: the fascination that brings you in closer to look at nature...