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New Blood Art
  • Poco Rubato by Margaret Ashman, limited edition artwork, framed
    The artwork
  • Poco Rubato by Margaret Ashman, detail 1
    Shown at 30 x 36 cm
  • Poco Rubato by Margaret Ashman, detail 2
    Shown at 80 x 97 cm
  • Poco Rubato by Margaret Ashman, detail 3
    Shown at 120 x 145 cm
  • Poco Rubato by Margaret Ashman, framed edition in situ
  • Poco Rubato by Margaret Ashman, edition detail
  • Frame: ASHMAN ALDER
    The frame
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Margaret Ashman

Poco Rubato

Poco Rubato

Margaret Ashman’s figures are studies in movement, balance and gesture. Rather than functioning as portraits, they capture the body in motion, giving each work a strong sense of rhythm and physical presence.

The restrained palette allows the figures to sit easily within contemporary interiors, while the brushed gold aluminium adds warmth and a subtle luminosity that changes with the light.

Each work is striking on its own, but the series is especially powerful when shown as a pair or triptych. At the larger sizes, the figures become almost life-size, creating a dramatic sequence across a wall without overwhelming the surrounding space.

Limited edition fine art print on brushed gold aluminium, presented in a solid wood ArtBox frame, (4mm brown alder). Total edition: 50

Size
£400
£400
Sale Sold

Delivery and returns

Prints are made to order, finished and framed with specialist care, so please allow up to fourteen days. We ship UK-wide, across Europe and internationally, and we’ll let you know when it’s on its way.

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Enquire about this work

For further photographs, a short video of the work, or to know more about the artist, email info@newbloodart.com. We aim to respond within one working day. Depending on where you are based, a studio visit can sometimes be arranged.

About Margaret Ashman

Margaret makes works based on her own photographs of dancers and from other sources. Lately she has made work from video footage. Recent work is strong with physicality and a visceral sense of movement. She continues to use a muted palette. Some works are deliberately...

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More by Margaret Ashman

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